by April 20th, 2016on
I sometimes recall a long-ago Sociology class where our professor had us all sit on the floor. The objective was to help us gain a fresh perspective about the world – to look at things differently, to shed our assumptions about good and bad entities and to replace that categorization with an understanding of the important dynamic created by both forces.
The same is true for writing. All too often, especially when working in a corporate capacity, we get “too close” to the product or service. We assume that others know what we’re discussing. We revert to industry lingo or technical terms that may not resonate with the end user. We rely on acronyms that hold no meaning for the outsider. We overlook unanswered questions that newcomers may have because, based on our own experiences, we have already found those answers.
The need for fresh perspective is an excellent argument for utilizing an external resource – a freelance writer, an editor, or a consultant. “Fresh eyes,” is what I sometimes call it. “The Emperor’s New Clothes” is another phrase I use. To me, that’s the ability to say with brutal honesty, “It’s still not clear how to work with your company” or “I know what your product does but I still don’t understand how to use it.”
* TAKE A BREAK.
As an exercise, it’s wise for authors to step back or step away for a few days. Upon returning, we find ourselves more observant and critical. “I see what the character is doing, but what’s his motivation? Why did he choose to take that action at this particular time?” With direct response copy, a clear head can also catch important oversights: “I see what the monthly payments are, but nowhere does it say what the total cost will be. That seems deceptive.”
* LOOK FOR THE SECOND RIGHT ANSWER.
Gaining a fresh perspective can also help us avoid clichés. It’s easy to revert to catch phrases and familiar metaphors while telling a story. “She had a song in her heart.” Really? Let’s be cynical: “How did the song get there? What is it singing?” Perhaps we should explain more authentically: “After a week in the sunshine, her mood shifted from a sense of futility to a gradual joyfulness that caused her to hum as she puttered around the garden, pulling weeds and turning topsoil. The combination of warm earth and trilling birdsong lifted her spirits and opened her mind to new possibilities.”
* TURN THINGS INSIDE OUT AND UPSIDE DOWN.
As writers, we must force ourselves to see things others don’t. For example, we all see cars, trucks, and taxis as vehicles that pass us by on a busy city street, but what if we were in an airplane or skyscraper looking down? That’s an entirely different canvas made possible by a change of perspective. We become observers, empowered by our position. We see an interchange of moveable parts, we notice advertising on the tops of buses, we become aware of colors and patterns, might even be able to anticipate an impending accident or traffic jam. Fresh perspectives provides wisdom and scope.
I recently had the opportunity to watch a wonderful aquarium presentation staged around a kelp tank at the Scripps Institution of Oceanography in La Jolla, California. As we stood safe and dry on the outside of the enormous 70,000 gallon tank, we could look in and up to see the fish swim by. We watched moray eels emerge from the tangle of plants… observed an immense sea bass rise to the surface and descend for food. Two divers entertained us – one cleaning the tank, one feeding the fish. Just seeing the continual interaction of these graceful sea creatures and the light filtering through the water transported us to a place we didn’t know … a place where peacefulness and fluidity could translate into a descriptive paragraph or plot.
So let’s ask when writing: “What would this incident look like if I were one of the characters? What would I see, feel, taste, hear, or smell?” Alternately, let us imagine ourselves encountering the incident as an observer. “What would make me stop and pay attention?” Sure, there is the obvious — “there’s a sinkhole forming in the road” — but perhaps it’s the small detail that takes us there: “A mouse scurried across the road only to stop at the edge of the cavern created by cracking concrete.”
In thinking about the kelp tank, I’m reminded that “blue” might be nice in describing something but perhaps teal, the color of peacock feathers, or turquoise, the color of an underwater garden, might be more compelling.